Love 2015 Full Movie

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“I want to film that which cinema has rarely allowed itself, either for commercial or legal reasons,” says Gaspar Noé, writer/director of cause celebre Cannes favourites Seul Contre Tous, Irréversible and Enter the Void. For his fourth feature, Noé sets out “to film the organic dimension of being in love”, free from “the ridiculous division that dictates no normal film can contain overly erotic scenes”. Rocscience slide. Thus we have a Last Tango in Paris-tinged tale of amour fou in which a disconsolate young American in Paris drifts from the responsibilities of fatherhood back into memories of lost love, Noé taking us on a lurid three-way tour of appendages and orifices, physical and psychological.

This of course is nothing new. Since the post-Deep Throat days of Nagisa Oshima’s Ai No Corrida(1976) and Frank Ripploh’s Taxi zum Klo (1980), plenty of international film-makers (including Noé) have attempted to bring the hard-core imagery that has been with us since the birth of moving pictures (see 2002’s The Good Old Naughty Days) out of the “smoking clubs” and into mainstream cinema. In recent memory, films as diverse as Lars von Trier’s Idioterne (1998), Catherine Breillat’s Romance (1999), Virginie Despentes and Coralie Trinh Thi’s Baise-moi (2000), Patrice Chéreau’s Intimacy (2001), Michael Winterbottom’s 9 Songs (2004), John Cameron Mitchell’s Shortbus (2006) and Abdellatif Kechiche’s 2013 Palme d’Or winner Blue Is the Warmest Colour have all variously attempted to bridge the divide between art and pornography (or, as it is more quaintly known, “erotica”). Love may boast attention-grabbing scenes of what the BBFC calls “real oral sex, masturbation and ejaculation” – all in sexational 3D! – but it is merely the latest in a long line of films to challenge old taboos about explicitness.

If Love is not as groundbreaking as Noé suggests, then it is certainly personal, centring on an aspiring film-maker who complains about the lack of “sentimental sexuality” in cinema and boldly declares his ambition to make a film built on “blood, sperm and tears”. That this solipsistic young buck should share Noé’s mother’s family name – Murphy – and have the “Love Hotel” model from Enter the Void in his apartment suggests that he is a stand-in for the director, as does his declared devotion to 2001: A Space Odyssey, another trademark trope.

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Yet to single out Murphy as the film-maker’s alter ego is to miss the point that everyone in Love can be read as fragmented versions of the director; from the young child named Gaspar whom Murphy cradles like Joe Dallesandro in Flesh (Warhol winks are everywhere, not least in a prominently displayed Frankenstein 3D poster) to the art gallery owner played by Noé himself in a fright wig, and of whom Murphy becomes insanely jealous. While the looping narrative and in-your-face visuals may focus on people having sex two, three, even four or five at a time, the film itself is peculiarly onanistic, reminding us that Noé (whose own penis pops up on screen) directed a segment of the hardcore compendium Destricted significantly entitled We Fuck Alone.

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This dictum definitely applies to Murphy, a phallocentric narcissist who accurately describes himself as “a dick”. As for Love, its idea of engaging with the audience is to offer an eye-popping ejaculation that flies toward them in the film’s most notorious “money shot”. From the William Castle-style “30-second warning” gimmick of Seul contre tous to the head stovings of Irréversible, Noé has always been a playfully sensationalist provocateur and it’s clear that the stereoscopy of Love is employed more for scandalous than immersive ends. While the 1969 3D softcore romp The Stewardesses promised that its lusty stars would “leap from the screen on to your lap”, Noé conjures POV shots of penises thrusting towards us through fleshy walls – a 21st-century twist on an old trick. Meanwhile, visual and/or aural nods to Salo, Assault on Precinct 13 and Cannibal Holocaust contextualise Noé’s scattershot artsploitation aims, the soundtrack lurching between Bach, Satie, and the wailing guitars of Funkadelic’s Maggot Brain.

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Amid such carnivalesque campery, it’s a shame that Love’s central trio are so humourlessly uninvolving, dragged down by dreary dialogue and cardboard acting. Compare them to the fully rounded characters of Shortbus whose polymorphous sex lives were explicitly depicted on screen but who also proved engaging, intriguing and – most importantly – lovable company. Not only was Shortbus more adventurous in its couplings (in Love, Murphy’s heterosexual desires rule the roost), it was also warmer, wittier and infinitely wiser on the subject of love. Noé’s film may not lack squelchy spectacle, but when it comes to anything deeper it is oddly anticlimactic.

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Directed by

Gaspar Noé

Writing Credits

Gaspar Noé.. (written by)

Cast (in credits order)

Aomi Muyock .. Electra
Karl Glusman .. Murphy
Klara Kristin .. Omi
Ugo Fox .. Gaspar
Juan Saavedra .. Julio
Gaspar Noé .. Noe (as Aron Pages)
Isabelle Nicou .. Nora / Electra's mother
Benoît Debie .. Yuyo
Vincent Maraval .. Lieutenant Castel
Déborah Révy .. Paula (as Deborah Revy)
Xamira Zuloaga .. Lucile
Stella Rocha .. Mami
Omaima S. .. Victoire

Produced by

Serge Catoire.. line producer
Brahim Chioua.. producer
Genevieve Lemal.. producer
Vincent Maraval.. producer
Sophie Mas.. executive producer
Gaspar Noé.. producer
Lourenço Sant' Anna.. executive producer (as Lourenço Sant'Anna) / producer (as Lourenço Sant'Anna)
Rodrigo Teixeira.. producer
Edouard Weil.. producer

Cinematography by

Benoît Debie

Film Editing by

Denis Bedlow
Gaspar Noé

Casting By

Eugenie Lavieille

Love 2015 Full Movie 123movies

Production Design by

Samantha Benne

Art Direction by

Love 2015 Full Movie Synopsis

Virginie Verdeaux

Makeup Department

Clarisse Domine.. key makeup artist
David Scherer.. special makeup effects artist
Céline Vh.. hair stylist

Production Management

Fabrice Bousba.. unit production manager
Marilyne Maia.. production manager: Scope Pictures
Pascal Pons.. production administrator
Remi Pradinas.. production manager
Arthur Ragons.. assistant unit manager
Laurent Villatte.. assistant production manager

Second Unit Director or Assistant Director

Angèle Buffin.. trainee assistant director
Céline Clézardin.. second assistant director
Élodie Gaiddon.. first assistant director

Art Department

2015
Lucile Bossuet-Jacquet.. assistant property master
Camille Desombre.. props buyer
Sarah Fauguet.. head painter
Emmanuel Galtier.. property master

Sound Department

Marco Casanova.. sound editor
Jérôme Gonthier.. sound editor
Gilles Marsalet.. foley artist
Josselin Panchout.. boom operator
Ken Yasumoto.. re-recording mixer / sound mixer / supervising sound editor

Visual Effects by

Xavier Allard.. visual effects artist: BUF
Jean-Bastien Bellot.. digital compositor
Charlotte Bosquet.. visual effects coordinator
Judith Bruneau.. visual effects producer
Pierre Buffin.. senior visual effects supervisor: BUF
Julien Champroux.. vfx editor
Estelle Chesneau.. digital compositor
Yoann Copinet.. vfx editor
Giorgia Graziadio.. digital compositor
Nicolas Kermel.. digital compositor
Alexandre Lerouge.. visual effects artist: BUF
Anthony Lyant.. visual effects supervisor
Thibault Martegani.. digital compositor
Marguerite Moreau de Lizoreux.. head of production: BUF
Geoffrey Niquet.. visual effects supervisor: BUF
Laureline Silan.. lead compositor
Olivier Veau.. digital compositor

Camera and Electrical Department

Philippe Bordelais.. steadicam operator
Eric Catelan.. steadicam operator
Christopher Franey.. rigging assistant chief lighting technician
Lazare Pedron.. focus puller
Rémy Pigeard.. best boy electric
Marie Queinec.. second assistant camera
Bruno Raquillet.. electrician
Brendan Spinec.. electrician
Marc Stef.. electrician
Xavier Thesnon-Hily.. assistant camera / assistant camera: additional
Benoît Theunissen.. steadicam operator (second part shooting)
Emmanuel Trousse.. gaffer (additional photography - uncredited) / key grip

Costume and Wardrobe Department

Emmanuelle Pastre.. assistant costume designer

Editorial Department

Alexander Akoka.. head of post-production
Elie Akoka.. additional colorist
Adélaïde Basson.. post-production assistant
Marc Boucrot.. colorist
Clarisse Cornély.. post-production coordinator
Caíque de Souza.. additional colorist / stereoscopic artist
Etienne Moinet Garcia.. i/o operator
Frédéric Geffroy.. Technicien Image
Kévin Laperrière.. assistant editor
Amanda Nohrborg.. technical assistant editor
Elie Tisné.. colorist assistant
Romain Verney.. technical assistant editor

Location Management

Fabrice Bousba.. location manager
Isabelle Hervé.. location production assistant

Music Department

Steve Bouyer.. music supervisor assistant
Pascal Mayer.. music supervisor

Love 2015 Full Movie Online Watch Free

Other crew

Patrice Abaul.. stereographer
Floriane Boissieras.. production assistant
Thierry Pouffary.. stereographer
Isabelle Sauvanon.. press
Agnès Schmouker.. finance director
Judd Taylor.. acquisitions: Alchemy (uncredited)

Thanks

William Abello.. the director thanks
Philippe Akoka.. the producers wish to thank
Emad Aleebrahim-Dehkordi.. the director thanks (as Emad Dehkordi)
Anouchka Alsif.. the director thanks
Agnès B... the director thanks
Stephen Bessac.. the director thanks
Pierre Buffin.. the producers wish to thank
Jacques Cardon.. the producers wish to thank
John Carpenter.. the director thanks
Alain Cavalier.. the director thanks
Rodolphe Chabrier.. the producers wish to thank
Coralie.. the director thanks (as Coralie Trin-Thi)
Jean-Louis Costes.. the director thanks
Virginie Danel.. the producers wish to thank
Stijn De Block.. the producers wish to thank
Benoit Delori.. the producers wish to thank
Philippe Deltour.. the producers wish to thank
Stéphane Derdérian.. the director thanks
Josephine Derobe.. the producers wish to thank
Sylvie Desauve.. the producers wish to thank
Virginie Despentes.. the director thanks
Jean Douat.. the producers wish to thank (as Jean Lic Douat)
Sal Genoa.. the director thanks
Nan Goldin.. the director thanks
Lucile Hadzihalilovic.. the director thanks
Laurent Hassid.. the producers wish to thank
Magali Jammet.. the producers wish to thank
Ambre Kiussu.. the director thanks
Sylvia Laj.. the producers wish to thank
Philippe Lhomme.. the producers wish to thank
Pamella Castel Love.. the director thanks
Laurent Lufroy.. the director thanks
David Lynch.. the director thanks
Mickael Marchal.. the producers wish to thank
Nora Murphy.. the director thanks
Luis Felipe Noé.. the director thanks
Alexander Oberink.. the producers wish to thank
Hugo Rubini.. the producers wish to thank
Martin Scorsese.. the director thanks
Stephane Sednaoui.. the director thanks
Michael Smadja.. the director thanks
Peter Sotos.. the director thanks
Eric Vandenkerckhoven.. the producers wish to thank
Kôji Wakamatsu.. the director thanks
Nicolas Winding Refn.. the director thanks